Andrea Fraser Gallery Tour

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‘Museum Highlights: A Gallery Talk’, Andrea Fraser, 1989 ...

https://www.tate.org.uk/art/artworks/fraser-museum-highlights-a-gallery-talk-t13715

Museum Highlights: A Gallery Talk 1989 is a single channel colour video in which the American artist Andrea Fraser leads a tour of the Philadelphia Museum of Art in the guise of a fictional docent named Jane Castleton. Dressed in a smart grey suit, Castleton, who introduces herself as a ‘guest’, ‘a volunteer’ and ‘an artist’, speaks directly to the camera as she walks around the ...

Museum Highlights: A Gallery Talk Hammer Museum

https://hammer.ucla.edu/take-it-or-leave-it/art/museum-highlights-a-gallery-talk

Art Andrea Fraser, Museum Highlights: A Gallery Talk. Andrea Fraser, Artist. Museum Highlights: A Gallery Talk, 1989 . Medium. Single-channel video (Betacam SP NTSC), color, sound ... In Museum Highlights, Fraser borrows the form and conventions of a museum tour, playing the role of Jane Castleton, a fictional docent. The tour is composed ...

Andrea Fraser :: Foundation for Contemporary Arts

https://www.foundationforcontemporaryarts.org/recipients/andrea-fraser

Andrea Fraser is an artist whose work has been identified with performance, feminism, and institutional critique. Fraser's notable works include Museum Highlights (1989), in which the artist posed as a tour guide at the Philadelphia Museum of Art, leading visitors to consider “artworks" such as a drinking fountain; Untitled (2003), a video edition documenting a sexual encounter between ...

MoMA.org Interactives Exhibitions 1999 Museum as ...

https://www.moma.org/interactives/exhibitions/1999/muse/artist_pages/fraser_highlights1.html

For Museum Highlights: A Gallery Talk, a performance held at the Philadelphia Museum of Art in 1989 and recorded on video, Andrea Fraser assumed the role of a museum docent, under the name Jane Castelton.She conducted a tour of the museum galleries, cafeteria, and lobby, making comments that were, in fact, largely drawn from institutional publications.

Andrea Fraser: Too Shocking for a US Retrospective

https://theculturetrip.com/north-america/usa/california/articles/andrea-fraser-too-shocking-for-a-us-retrospective/

Her main body of work, produced between the mid-1980s and the present, has critiqued many aspects of the contemporary art world. In her video piece Museum Highlights: A Gallery Talk (1989), Fraser subverted the art museum tour, posing as art world docent ‘Jane Castleton’ – a made-up persona through which she parodied bombastic art jargon, at one point lauding a water fountain to levels ...

Andrea Fraser on ArtStack - art online

https://theartstack.com/artists/andrea-fraser

Andrea Fraser (born 1965) is a performance artist, mainly known for her work in the area of institutional critique. Fraser is based in New York and Los Angeles and is currently a new genres professor of the Art Department faculty at the University of California, Los Angeles.

Have We Finally Caught Up With Andrea Fraser? - The New ...

https://www.nytimes.com/2019/12/03/t-magazine/andrea-fraser.html

Dec 03, 2019 · A Clip From Andrea Fraser’s ‘Official Welcome’ (2001/2003) The artist’s physical powers are on full display as she stomps and strips and mimics the gestures of recognizable art-world ...

Museum Highlights Whitney Museum of American Art

https://whitney.org/Events/MuseumHighlights

May 01, 2015 · Andrea Fraser’s 1989 video Museum Highlights: A Gallery Talk is a fictional docent tour performed by the artist at the Philadelphia Museum of Art. The performance simultaneously parodies and critiques the structures of cultural institutions. Andrea Fraser (b. 1965; Billings, MT), Museum Highlights: A Gallery Talk, 1989. Video, color, sound ...

Museum Highlights: A Gallery Talk - Monoskop

https://monoskop.org/images/6/62/Fraser_Andrea_1991_Museum_Highlights_A_Gallery_Talk.pdf

A Gallery Talk ANDREA FRASER Posters, placards, signs, symbols must be distributed, so that everyone may learn their significations. The publicity of punishment must not have the physical effect of terror; it must be an open book to be read. Le Peletier suggested that, once a month, the people should be allowed to visit convicts,

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